Friday, November 5, 2021

A long interview with BoA celebrating her 20th anniversary Japan debut

(* ........) are my own comments

 ——May 30, 2001, you made your debut in Japan at the young age of 14. Do you remember when you decided to make your debut in Japan?
BoA: It was a casual feeling, "Oh, I'm going now?"
Because I was young, I didn't feel that japan debut or going abroad was such a serious thing.
Now, for example, if I was told "You're going to America", I would feel pressured and start worrying.
At that time, my thought was simple.

——Did you feel happy like “wow I did it!”?
BoA: Rather than being happy, I couldn't speak Japanese like I do now, so I worried about the language.
I had been studying Japanese up until then, but after that I urgently increased the class time.

——What was your impression of Japan at that time?
BoA: I thought Japan was a flashy place. There're places that you can't often see overseas, such as the scrambled intersection in Shibuya. Also, the appearance of the youngsters back then, everybody had black skin and blonde hair like Yamanba Gal and Ganguro.
I thought, "I might be too white ..." (laughs).

——What was the hardest part of your activities when you started working in both Japan and South Korea?
BoA: It's the airplane trips. I'm grateful that there was no time difference, but I had to fly out on the first flight in the morning and fly back on the last flight. It was tiring because even though the distance was short but the number of flights I took was a lot.

——When did you feel the difference in culture between Japan and South Korea?
BoA: What surprised me most was touring the CD shops (* for promotion). I did it for the first time in Japan.
At that time, I went to Tower Records, HMV, TSUTAYA, etc. and thought the places were so big.
Also, the rental shop was new experience for me. There was no such store in Korea.

——How was song recording in Japanese when you first made your debut?
BoA: At first, it was difficult to pronounce Japanese Ta and Za lines. (* namely the ta, chi, tsu, te, to, za, zu, ze, zo sounds)

——How did you remember the Japanese lyrics?
BoA: First, I write in Hangul and remember the contents. I've been able to read hiragana and katakana since that time, so I only asked them to add furigana (* small characters added to guide pronunciation) ​​to the kanji (* chinese characters in jpn language).
I would sing while reading it. Also, the small Japanese "tsu" may or may not be stretched depending on the song, so it was difficult at first.

——Now you can read kanji. It's easier to understand the meaning if it's written in kanji, isn't it? (* as opposed to writing in only hiragana/katakana)
BoA: That's right. In some cases, Kanji's are easier to read.
If only written in hiragana, it may be difficult to understand where to cut the sentence.
However, even now, I still have my staff add furigana ​​for me (laughs).

——By the way, what was the first Japanese you learned when you made your debut?
BoA: "Mr. Tanaka, where is your business trip destination?" (Laughs).
The names that appear most in the text are Mr. Tanaka for Japanese, and Mr. Kim for Korean. It's also the name of my staff. I learned Business Japanese first. Words like "Business trip", "Meeting", "Please take the call".

—— “otsukaresamadesu (Thank you for your hard work)”?
BoA: That's right. "Thank you for your hard work. Today's meeting was wonderful" (laughs).

——What a sentence for a 14-year old (laughs)!
BoA: But that was good. All the people I'd meet in Japan at work would be older, so they taught me formal Japanese, not casual Japanese. Even during interviews, people would praise me that my Japanese is proper.

——In 2003, you held the first tour “BoA FIRST LIVE TOUR 2003 ~ VALENTI ~”. The final performance was at a large venue called Yoyogi National Stadium Daiichi Gymnasium. Do you remember that time?
BoA: Actually, I don't remember much. It was my first tour, all in Japanese, and I was doing my best to perform, so I couldn't remember the sight in front of me. Which is sad. Whenever I see the video footage, I'd regret "Wow, it's amazing. Why don't you remember this?"

——Are there any songs that left an impression on you in your music activities in Japan?
BoA: "LISTEN TO MY HEART". It was the first song to be ranked in the top of the Oricon chart (5th), so I was surprised and very happy. Also, what I really think about these days is "Meri Kuri". It's been over 15 years ago, but I'm grateful to hear that it still plays in the city in winter.

——What kind of song is “Meri Kuri” to you?
BoA: It's a song that I like from the start, a beautiful song with nice lyrics. I'm very happy that everyone loved it and listened to it for such a long time. It's a Japanese song sung by a foreign singer that became a classic winter song in Japan. As a singer, I'm proud that my song is played in the streets during the season in a country where I wasn't even born in.

——Looking back, you often cry at live performances of “Meri Kuri”.
BoA: The melody is bright but painful. Especially because of its positivity, there is a sadness that touches our hearts. Rather than sad tears, it's more like happy agony, so I'm moved to the point of tears when I sing it.

——You cried during “Meri Kuri” at the encore of the 10th anniversary live “BoA THE LIVE 2011“ X'mas ”~ The 10th Anniversary Edition”. After that, when you re-sung for the DVD, you were also crying.
BoA: The first time I cried, thinking "I'm so happy. I'm never gonna be this happy again." and in the end I couldn't sing.
Then the staff told me to sing again for DVD footage. The second time I cried was tears of frustration (laughs).

——Are there any JP music videos that left a strong impression on you?
BoA: It's "Meri Kuri". People see the snow that falls in the MV and they'd ask "It's CG, right?", but actually it's real snow.
It was the first snow of Tomamu (* MV location) that year, and it suddenly started to fall like a miracle. The MV itself is beautiful and memorable.
The morning after the shooting, the scenery seen from my room's window was really beautiful.
White snow with no footprints that no one has stepped on yet. I still remember that landscape to this day.

——There are many music videos shot overseas, but do you have any particular location you remember?
BoA: I remember "KEY OF HEART" in the sense that I had a hard time.
We shot it in Los Angeles, but it's really hard to dance in those heel boots in the desert. My knees hurt so bad (laughs).
I remember how hard it was to film whenever I see the MV (laughs).

——So, are there any albums that left a special impression on you?
BoA: Each album has its own memories, from the first album "LISTEN TO MY HEART" to the latest "Watashi konomamade iinokana".

——The 7th album “IDENTITY” released in 2010 in which you wrote 6 songs / composed 4 songs, seems like it became a foothold for your self-produced career after that.
BoA: I remember that "IDENTITY" was the most difficult to produce due to various challenges.
I myself wasn't used to creating songs yet at the time, so I felt like I was learning how to write and compose songs while working on it.

——After the 10th anniversary, you have more opportunities to write and compose your own songs, including “Only One”. Please tell us what you are conscious of when writing songs.
BoA: I think the staff can create both the tune and lyrics in the style that people want BoA to sing.
That's why, when it comes to the songs I write, I try to write the tune and messages that I want to do and convey.
There is a gap between the two, but I put the highest priority on it. (* I think she meant she tried to balance both styles)

——What do you pay most attention to when writing lyrics?
BoA: It's a story flow. I want everyone to listen to the song and can relate to his/her own experiences.

——BoA has sung many songs with Korean and Japanese versions, including “Only One”. What is the difference between Korean lyrics and Japanese lyrics?
BoA: I think there is a difference in expression. Sometimes I think it's a cultural difference. Korean lyrics are more straightforward. Japanese lyrics tend to convey in a roundabout way using metaphors.

——When do you usually get the words and melody when you work on a song?
BoA: I'm not the type that have ideas all the times. I'm the type that turns to desk and work only when it comes to "Deadline! No way! I can't make it in time!"  (laughs).

——What time do you write songs?
BoA: Basically, I don't do it at night. If I decide that today is the day to work, I'd start in the morning and work until 9 or 10 pm. For the latest Korean album "BETTER" released last year, I wrote 4 songs / composed 3 songs. I worked on it from around noon to evening. I work when everyone works and play when everyone plays. That's how I concentrate on work.
 
——The live series “BoA THE LIVE” that started in 2006 has been branded and has become synonymous with BoA. What does live mean to BoA?
BoA: Recently, my passion for live performances has become very strong. Especially in the last two years, I haven't been able to perform live at all due to the corona, so I've come to realize how important live concerts are. It's the only place where fans and I can spend the same time in the same place. I used to think that live performances were part of my work, so it was common to hold concerts.
But now things are no longer the norm. I thought that I should cherish live concerts more and more from now on.

——What do you take great care of when you do concerts?
BoA: The quality of the set list. I think that will lead to the quality of the concert itself.
If I look at the setlist and find it boring, honestly, I think the fans will find it boring as well.

——Has the way you create setlists changed?
BoA: Before, I didn't really like singing old songs. However, when I go to concerts by other artists, I sometimes wonder "Why!?" if they don't sing the hit songs I wanted to hear (laughs).
I'm sure that all the fans who come to my concert feel the same way too, so I try to put old songs that I didn't sing much in the set list.

——What do you want to express and challenge for BoA, who is celebrating 20th anniversary?
BoA: Recently, I'm a judge for a program called "STREET WOMAN FIGHTER" in Korea. It's a program in which female dancers compete by dancing, and it has had a very positive influence on me regarding dance. So I want to put out a dance song. I would like to try a dance-focused song with a heavy beat to go with a cool dance.
 
——How did you spend your time during your stay at home due to Corona?
BoA: I cooked and ate at home. I couldn't go to Japan, so I cooked and ate Japanese food.
I like soba, so I boiled soba, bought soup, wasabi, grated radish and ate it. Also, last year I did more running outside. There are parks on both sides of the Han River in South Korea, and I ran nearly 10 kilometers every day. But I ran too much and lost a lot of weight last year. It's not good to be too thin, so I'm trying to gain weight this year.

——Are there any music-related changes?
BoA: I naturally have untact (* it's a made-up word in Korea. un+contact) lifestyle, so I don't have a hard time not being able to meet people.
I've always worn masks to care for my throat, so I don't feel inconvenienced, but the stress of not being able to go abroad or meeting my fans has made many of my songs quite dark. Naturally, that kind of influence is reflected in the songwriting, and the lyrics are getting darker.

——What kind of changes do you feel in music production and recording?
BoA: When I recorded remotely, it felt strange as if I became an avatar. However, I think that we will get used to working this way from now on, or should I say that eventually, the era where remote recording will be the norm is coming.

——It is becoming common to make music by sending data back and forth.
BoA: Online recording has a strange feeling different from just sending data.
When I think that someone in Japan is watching and listening to the song I'm singing right now, it feels like I'm being peeped. (* she meant mondo grosso? LOL)
Like now we're conducting interview remotely and people can see it from any country.(* You're wrong BoA. We don't see anything but text and a couple of photos.) It's a little scary and feel a little odd. I think I have to get used to it, but if possible I would like to go to Japan and record directly in the studio.

——How has your attitude toward music changed over the last 20 years?
BoA: In the past, I used to get songs from lyricists and composers and sing songs that the staff would choose, but now even though I'm not at the level of producer, but it's an environment where I can express my own opinions. I feel like we're making it together from scratch.

——The environment surrounding music has changed significantly in the last 20 years, with the means of listening to music changing from CDs to streaming/digital distribution. What are your thoughts on that point?
BoA: I feel a little lonely or sad after changing from CD to digital distribution.
I have experience with both analog and digital, and CD albums were precious in the past. It was meaningful to buy an album and listen to it while reading the lyrics card. Instead, with the increase in digital music, music has become instant, and I feel that each song is getting more casual.
On the other hand, the good thing about digital is that you can challenge various kind of songs and release them immediately, so you have more opportunities to try new things and have an adventure. Another advantage is that you can easily listen to songs released in any country.

——You have been unable to come to Japan for a long time. What do you want to do when you come to Japan?
BoA: I want to go eat abura soba! That is the highest priority (laughs). Of course, I also want to do live concert in front of the fans!

——The new song “My Dear” to be released on November 5th is the first release in about a year. How did you feel when you listened to the song?
BoA: I thought it was a simple and easy-to-listen sound. But since the main synth has unique characteristic, I think it's a song that will remain in your ears.

——What does “My Dear” in the lyrics mean?
BoA: All the fans who have supported me so far.
This song is my message song to all the fans. If I could hold a live concert, I would have released a performance-centric song because it was the 20th anniversary. But as things are, I think we still spend a lot of time at home, so I released a song that everyone can listen to comfortably at home. I thought that everyone could be healed listening to it, so I decided to release this song.

——The lyrics include words that are reminiscent of BoA's past songs.
BoA: "Denim", "Only One", "dakishimete", and so on, I think fans will notice. Also, I think that my personality, which only fans know, is expressed in the lyrics. I think they would laugh while listen. (* wrong! we cried!)

——What is your favorite phrase in the lyrics of “My Dear”?
BoA: The chorus. 'I look strong, but I'm not, but even so, pls stay by my side.'
It's a fairly straightforward phrase, and I really think it's so me. When you hear "BoA", many people may think of a strong person who dance powerfully but actually she is not so strong, just a woman who tried hard to live (laughs).
I was happy that I was properly expressed in the lyrics.

—— “My Dear” was the first birthday release in a 20-year career.
BoA: I'm happy and I think it was a meaningful release. But I don't really care about that kind of thing... I'm sorry I couldn't make a nice comment. I'm not such a romantic person (laughs).

——Finally, do you have a message for Japanese fans?
BoA: Thank you for supporting me on the 20th anniversary. I don't really feel like an anniversary year because I can't do much because of the corona, but this is not the end of my activities. This is just a passing point and I will continue to do my best in the future, so please support me! 
Let's overcome the corona wreck and meet again in Japan in good spirits! I want to go to Japan soon!

translated from: https://avex.jp/boa/news/detail.php?id=1095403 with Google's help

Thursday, November 4, 2021

[lyrics kanji, romaji, translation] My Dear

今日も いつも通り

Helloって 朝が来たら
Make up 微笑む Mirror

昨日 泣いた理由は
Someday 忘れられる
そうやってきた My history

瞳に映った 私はきっと
強いヒトでしょう キレイなんでしょう

これからもずっと このままずっと
そんな私が嫌いじゃない

Baby でもあなただけは
知っていてほしい
このココロの本当を
特別だよ My dear

ただあなただけは
そばにいてほしい
どんな時も いつまでも
愛を込めて My dear My dear

何度 転んだって
毎回 どうにか立って
My heart 相当タフね

脱いだ デニムの下
Something 消えない証拠
そうやって乗り越えていく Days yeah-

誰かに放った 笑顔がきっと
明日を輝かせるから

Baby でもあなただけは
知っていてほしい
ありのままの素顔ごと
抱きしめてね My dear

ただあなただけに
ココロ許して良い
世界中で 一人だけ
愛を込めて My dear
My dear…

夜が明けたなら
何度でも開ける Door
And I will go on

あなたが居たから
ここまで来れたの
I know you’re the only one hey

Baby でもあなただけは
知っていてほしい
このココロの本当を
特別だよ My dear

ただあなただけは
そばにいてほしい
どんな時も いつまでも
愛を込めて My dear
My dear
そばにいてほしい

My dear My dear
世界中で 一人だけ
愛を込めて My dear


Romaji

Kyō mo itsumodōri 

Hello tte asagakita-ra 
Make up hohoemu Mirror 

kinō naita riyū wa 
Someday wasure rareru 
sō yattekita My history 

hitomi ni utsutta watashi wa kitto 
tsuyoi hitodeshou kireinandeshou 

korekara mo zutto kono mama zutto 
son'na watashi ga kiraijanai 

Baby demo anata dake wa 
shitte ite hoshī 
kono Kokoro no hontō o 
tokubetsuda yo My dear 

tada anata dake wa 
soba ni ite hoshī 
don'na toki mo itsu made mo 
aiwokomete My dear My dear 

nando koron datte 
maikai dōnika tatte 
My heart sōtō tafu ne 

nuida denimu no shita
Something kienai shōko 
sō yatte norikoete iku Days yeah - 

dareka ni hanatta egao ga kitto 
ashita o kagayaka serukara 

Baby demo anata dake wa 
shitte ite hoshī 
arinomama no sugao-goto 
dakishimetene My dear 

tada anata dake ni 
Kokoro yurushite ii
sekaijū de hitoridake 
aiwokomete My dear 
My dear… 

yoru ga aketanara 
nandodemo akeru Door 
And I will go on 

anata ga itakara 
koko made koreta no 
I know you’ re the only one hey 

Baby demo anata dake wa 
shitte ite hoshī 
kono Kokoro no hontō o 
tokubetsudayo My dear 

tada anata dake wa 
soba ni ite hoshī 
don'na toki mo itsu made mo 
aiwokomete My dear 
My dear 
soba ni ite hoshī 

My dear My dear 
sekaijū de hitoridake 
aiwokomete My dear


Translation

Today, as usual 

When the morning comes saying Hello
I smile putting on make up in front of the mirror

The reason I cried yesterday
I can forget it someday
That's always been my history

The me reflected in your eyes
Is a strong person, right? A beautiful person, right?

From now on too, forever, just like this, always
I don't hate that image of me

Baby but only you
I want only you to know
The truth of my heart
You are special. My dear

Only you
That I want to stay by my side
Whenever and forever
With love My dear My dear

No matter many times I fell
I somehow can stand up on my own every time
My heart is pretty tough, no?

Under the denim that I took off
There's something, a proof that won't disappear
And that's how I manage to get over all the obstacles Days yeah-

I'm sure the smile I gave to someone
Will make tomorrow shine

Baby but only you
I want only you to know
My real unpainted face just as I am
Please embrace the real me My dear

Just for you and only you
That I can open my heart to
Only one person in the world
With love My dear
My dear…

When dawn breaks
Doors repeatedly open
And I will go on

Because you were always there
I was able to come this far
I know you’re the only one hey

Baby but only you
I want only you to know
The truth of my heart
Specially for you. My dear

Only you
That I want to stay by my side
Whenever and forever
With love My dear
My dear
I want you to be by my side

My dear My dear
Only one person in the world
With love My dear

Wednesday, November 3, 2021

[lyrics] Everything Needs Love (RE-NEW) (feat. BoA)

There's sound I hear in the dark
It's secret that's sung by the vanishing stars
The lonesome bird losing its song to tears
whispers " I was born to be remembered "

As the voices rise and reach out
Comes a ray of the sun through
the blanket of clouds
The crying sky unlocks the secret kept
She calls " the truth I've found will
always stay here in my heart "
Everything needs love~~~~~~~~

There's sound I hear in the dark
It's secret that's sung by the vanishing stars
The lonesome bird losing its song to tears
whispers " I was born to be remembered "

As the voices rise and reach out
Comes a ray of the sun through the blanket of clouds
The crying sky unlocks the secret kept
She calls " the truth I've found will
always stay here in my heart "
Everything needs love~~~~~

Breathe deep and listen to the raindrops
Fly over valleys and the hilltops
Glide down and dive into the ocean
Let tides spill over your emotion
Everything needs love~~~~~

There's sound I hear in the dark
It's secret that's sung by the vanishing stars
The lonesome bird losing its song to tears
whispers " I was born to be remembered "

As the voices rise and reach out
Comes a ray of the sun through the blanket of clouds
The crying sky unlocks the secret kept
She calls " the truth I've found will
always stay here in my heart "
Everything needs love~~~~~

[lyrics kanji,romaji, translation] Everything Needs Love feat. BoA (RE-NEW JP)

明けていく空に 
踊りながら口づけした日々は 
遠いようでそうじゃない 
ずっと心は自由だから 
何度もハグをして 
両手あげて光に打たれて 
目を閉じればいつでも 
あの日に戻る 
高く舞い上がる 
Everything needs love

会えない日々なら 
まぶたの奥で爆音を鳴らそう 
汗に濡れた前髪 
恋に落ちた君の横顔 
明日などないような 
はかない夜を重ねたけれど 
綴る言葉の中で 
君は永遠を生きる気がする 
Everything needs love

雨の音を聴いて 
鳥のように空を飛んで 
海に飛び込んだら 
想いは波に乗せて 
Everything needs love

耳に残る声 
たぐりよせ夢を紡いでいる 
戻る場所がなくても 
ずっと心は自由だから 
逆光に浮かぶ 
君の踊る背中が恋しい 
心の灯は消えない 
いつかきっと必ずまた会える 
Everything needs love

Romaji

akete iku sora ni 
odorinagara kuchidzuke shita hibi wa 
tōi yō de sō janai 
zutto kokoro wa jiyūdakara 
nando mo hagu o shite 
ryōte agete hikari ni uta rete 
me o tojireba itsu demo 
ano hi ni modoru 
takaku maiagaru 
Everything needs love 

aenai hibinara 
mabuta no oku de bakuon o narasou 
ase ni nureta maegami 
koi ni ochita kimi no yokogao 
asu nado nai yōna 
hakanai yoru o kasanetakeredo 
tsudzuru kotoba no naka de 
kimi wa eien o ikiru ki ga suru 
Everything needs love

ame no oto o kiite 
tori no yō ni sora o tonde 
umi ni tobikondara 
omoi wa nami ni nosete 
Everything needs love 

mimininokoru koe 
taguri yose yume o tsumuide iru 
modoru basho ga nakute mo 
zutto kokoro wa jiyūdakara 
gyakkō ni ukabu 
kimi no odoru senaka ga koishī 
kokoro no hi wa kienai 
itsuka kitto kanarazu mata aeru 
Everything needs love

Translation

In the dawning sky
The days we kissed while dancing
Seem like long in the past, but it's not so
Because our hearts are always free

We hug many times
Raise both hands and struck by the light
Whenever I close my eyes
I return to that day
and fly high

Everything needs love

The days we cannot see each other
Let's make a roaring sound behind the eyelids
Sweaty bangs
Your side profile I fell in love with

Like there is no tomorrow
We've had numerous ephemeral nights
In the words that you compose
I feel like you live forever
Everything needs love

Listen to the sound of rain
Flying in the sky like a bird
Jump into the sea
And put your thoughts on the waves

Everything needs love

Voice that remains in my ears
I'm spinning the dreams I reel in
Even if there is no place to return
Because my heart is always free

Floating in the back light
I miss your back while you dance
The light of the heart does not go out
I'm sure we'll meet again someday

Everything needs love

Wednesday, December 2, 2020

[hangul lyrics] 10th album BETTER

 1. Better

작사 유영진 작곡 유영진, Aston Rudi, Awa Santesson-Sey, Jay-Keyz 편곡 유영진


그만 거기서

한 걸음만 뒤를 돌아보지 말고

걸어와

넌 나를 믿고 그냥 걸어봐

위험한 게 재미나잖아

Can’t nobody

tell you how to do it oh

선택은 너의 몫

도전을 해봤나 해볼까

With the thought

from my paradigm


깊은 정적 속에 너는 나랑 단둘이

우린 끝도 없이 재고 재고 또 쟀고

애들 장난 같은 말투도

진지하지 못한 대답도

그러지 마 상처받게 돼

You know what I want


이젠 가져 준비됐어

우리만의 시간

대담해졌다면 괜찮아

솔직하게 보여줘 봐

너만 가져 준비됐어

이미 알고 있던 너야

속 터지게 만들지도 마

You better than this

You better than this


또 내게 맞춘 너의 눈에

초점이 더 희미하게 풀려 가

너 그러다가 위험해

야생이면 잡아 먹혔지 Yeah

경계심을 풀어봐

너 상상만으로는 나를 못 가져

싸워 이긴 자가 독차지

이건 불꽃 같은 멋진 게임


깊은 밤을 흔들어줘

잠든 나를 깨워줘

Give me little kisses tenderness

Give little touches handless

만약 잊게 될 게 뻔한 기억

그게 너라도 I'm in love

Give me little kisses tenderness

I know


이젠 가져 준비됐어

우리만의 시간

대담해졌다면 괜찮아

솔직하게 보여줘 봐

너만 가져 준비됐어

이미 알고 있던 너야

속 터지게 만들지도 마

You better than this

You better than this


You are the one 내가 택한 건

네 상상이 뭐든 실현해 줄게

I’m the only one 너의 이상형

너만 알아야만 하는 그런 진리니까

그게 나니까


망설이지 말아 Good to go

다 큰 어른들이

나눈 대화일 뿐 baby

조금씩 너를 내게 던져주면 돼

다 가지려고 하지 않아 정말로

Can’t nobody

tell you how to do it oh

선택은 너의 몫

지금은 이걸로도 충분해

나는 만족해

Just a little little little piece


이젠 가져 준비됐어

우리만의 시간

대담해졌다면 괜찮아

솔직하게 보여줘 봐

너만 가져 준비됐어

이미 알고 있던 너야

속 터지게 만들지도 마

You better than this

You better than this


2. Temptations

작사 황유빈 작곡 Moonshine, Realmeee, Nicole “Kole” Cohen 편곡 Moonshine


나를 대하는 아주 깍듯한

태도 그 안의 매끄러운 Gesture

나는 반듯이 네 앞에 앉아

그저 미소로 버티는 게 최선


알잖아 You're what I want

느낌이 말보다 빨라

그 형식적인 질문들 대신

물어봐도 돼 About me


나를 못 참게 한 건 Boy

그건 너의 눈빛

간지럽히듯 스친

So give into your


Temptations why you waiting

뭘 그리 감추려고 해

Yea yea yeah

너의 하나하나 다

꺼내고 싶어 Stay

긴장한 표정은 뭘까

화를 낼 때는 어떨까

Temptations why you waiting

이 순간 솔직해도 돼


I got everything you ever wanted

Don’t be shy 좀 더 과감해도 돼

물러나지 않는 너를 보니

Yea I want it yea yeah


말해봐 I'm what you want

느낌보다 이젠 알아

머뭇거릴 틈새도 없이

다 말해줄게 About me


나를 미치게 한 건 Boy

그건 너의 눈빛

순간 모든 걸 들킨

So give into your


Temptations why you waiting

뭘 그리 감추려고 해

Yea yea yeah

너의 하나하나 다

꺼내고 싶어 Stay

긴장한 표정은 뭘까

화를 낼 때는 어떨까

Temptations why you waiting

이 순간 솔직해도 돼


I’ll give you all that you want

If you give me all that you are

Show me then

we about to start yeah

흐트러질 땐 어떨까

지금 당장 보여봐


Temptations why you waiting

뭘 그리 감추려고 해

Yea yea yeah

너의 하나하나 다

꺼내고 싶어 Stay

긴장한 표정은 뭘까

화를 낼 때는 어떨까

Temptations why you waiting

이젠 더 솔직해도 돼


3. Cloud

작사 보아(BoA) 작곡 보아(BoA), BEOMxNANG, 박서현 편곡 BEOMxNANG4


눈이 부실만큼 밝아

햇살이 닿는 느낌마저도

따스한 온기가 전해지네

You know what

바람마저도 완벽하게 살랑거리네

온 가득히 번지곤 해


아직 어지러운 방안을 정리해보고

밀어 뒀던 일도 끝내 보려 해

이런 내 모습 보여주기 쑥스럽지만

You’re the matter all I want is

It’s only you


모든 게 서툴고 미흡해도

너만을 위해 준비했어

It’s all for you

작은 선물 같은 날이길

한 장의 추억이 되길 바라

It’s all for you


행복 가득한 모습만 네게

좋은 기억들만 가득하길 바라

굳이 잘 보이려 하지 않아도 돼

그래 우린

어른스러워지지 않아도 돼

You already know

누구도 완벽할 수는 없잖아

Love me like I do

Kiss me like I do

Love you


모든 게 서툴고 미흡해도

너만을 위해 준비했어

It’s all for you

작은 선물 같은 날이길

한 장의 추억이 되길 바라

It’s all for you


시간을 공유한 만큼

가까워진 사이도

우리의 만남도

아주 조금씩 익숙해져

모든 것이 당연해

널 위해 하고 싶은

작은 일상을 이젠

함께 해주길 바라

내 마음이 벅차오르잖아


모든 게 서툴고 미흡해도

너만을 위해 준비했어

It’s all for you

작은 선물 같은 날이길

한 장의 추억이 되길 바라

It’s all for you

It’s all for you

It’s all for you


4. All That Jazz

작사 보아(BoA) 작곡 보아(BoA), Shaun Kim 편곡 Shaun Kim


짧은 순간에 깊은 베임에

아물 수가 없는 흉터가 되어

의미 없는 다짐을

또다시 난 반복해

제발 그만 나도 놓고 싶어


요즘 내가 이상해 좋아하던 음식도

좋아하던 영화도 감흥 없고

무기력하게 늘어져

뭔가 부족한 걸까

그래 이건 여기 네가 없어서


I try to try to try to try

to remember you

But 왜 날 왜 날 왜 날

자꾸 밀어만 내

너의 품이 그립고 필요한 나를

낭떠러지로 왜 밀어내려 하는데


짧은 순간에 깊은 베임에

아물 수가 없는 흉터가 되어

의미 없는 다짐을

또다시 난 반복해

제발 그만 나도 놓고 싶어


너에겐 난 뭘까

의미란 있을까

함께한 모든 시간

모조리 다 발밑 저 멀리

그만 끌어내려

내겐 소중했던 추억인데


손끝을 떠나 멀리 날아간 건 너

내게는 다시 돌아올 수 없는

길을 택한 건 너

한 번쯤은 생각날 거야

지금까지 내게 던진 한마디

뾰족하게 찌른 단 한마디


I try to try to try to try

to remember you

But 왜 날 왜 날 왜 날

자꾸 밀어만 내

네겐 뭐든 아깝지가 않던 나를

낭떠러지로 왜 밀어내려 하는데


짧은 순간에 깊은 베임에

아물 수가 없는 흉터가 되어

의미 없는 다짐을

또다시 난 반복해

제발 그만 나도 놓고 싶어


날아 날아 저 멀리

또 달아 달아나 멀리

쫓기듯 도망치고

다시 되돌아온 길 찾아

함께한 모든 시간

모조리 다

발밑 저 멀리

끌어내리기 바빠 왜

내게는 추억들인데 왜


5. L.O.V.E

작사 보아(BoA) 작곡 Kenzie, Greg Bonnick, Hayden Chapman 편곡 LDN Noise


Hey are you a bad kinda lover

You got me


I feel naughty knotty baby

앞뒤 생각 없이

Take a chance

on a tight rope baby LOVE

아슬하게 넘나든 선이 좋아

Beside you

Deep inside fire burns fire burns


흥미 따윈 없는 척

애가 타는 네 모습이

Lover lover 읽히잖아

그저 그런듯한 표정

그만해도 괜찮아

Feel the fire we’ve learn to fall

내게 말해봐


Are you a bad kind of lover

Just wanna give my L.O.V.E

흔해빠진 이별땜에

시작이 두렵다면 It’s all lies

생각해보면 이기적이야 너도

Just wanna keep my L.O.V.E

끊을 수 없는 설레임인걸 알아

Just wanna keep my love love love


Take a chance

on a tight rope baby LOVE

(baby love)

I feel ironic chronic 모순투성인데

Yeah deep inside fire burns fire burns

너무 밀쳐 내지는 마

I’ll be the one you won’t forget


(Is your heart too blind to see)

새로운 시작 두려움이 가득해

Lover lover 왜 그럴까

하지만 난 욕심이나

장난처럼 듣지 마

Feel the fire we’ve learn to fall

너를 가질래


Are you a bad kind of lover

Just wanna give my L.O.V.E

흔해빠진 이별땜에

시작이 두렵다면 It’s all lies

생각해보면 이기적이야 너도

Just wanna keep my L.O.V.E

끊을 수 없는 설레임인걸 알아

Just wanna keep my love love love


너와 난 뭐랄까

답 없는 장난일까

Are you a bad kind of lover

Just don’t drag me away


Are you a bad kind of lover

Just wanna give my L.O.V.E

흔해빠진 이별땜에

시작이 두렵다면 It’s all lies

생각해보면 이기적이야 너도

Just wanna keep my L.O.V.E

끊을 수 없는 설레임인걸 알아

Just wanna keep my love


6. Cut Me Off

작사 Kenzie 작곡 Léon Paul Palmen, Emilie Adams 편곡 Palm Trees


어제는 종일 함께였고

이제야 혼자인 시간

내일 널 안 보고 싶어

내 맘이 그걸 원해


뭐 그리 원하는 게 많아

종일 On and off on and off

나만 보는 너 보는 너

It’s time to go

날 가만히 못 놔둬

이젠 그 집요한 탐색은 그만

If we stick together 지쳐가겠지


So cut me off 이제 날 지워 봐

넌 할 수 있어

자 힘내 One more time

So cut me off 그리곤 돌아가

잘라내도 우린 괜찮을 거야

So cut me off

cut me off

cut me off

I’m sick and tired of your love

cut me off

So cut me off

자 힘내 One more time

그렇게 우린 더 나아질 거야

So cut me off


그래 난 좀 달라졌고

넌 그대로인 거지

그냥 네가 좀 무거워

가벼워지고 싶어


감정은 오르락내리락

자연스럽게 흘려봐

다들 만나고 헤어져

It’s time to go

한때 널 좋아하게 했었던

그 모든 이유가

이젠 달리 느껴지는 때가 왔어


So cut me off 이제 날 지워 봐

넌 할 수 있어

자 힘내 One more time

So cut me off 그리곤 돌아가

잘라내도 우린 괜찮을 거야

So cut me off

cut me off

cut me off

I’m sick and tired of your love

cut me off

So cut me off

자 힘내 One more time

그렇게 우린 더 나아질 거야

So cut me off


아무 말 하지 마

그냥 이대로가 서로에게 좋아

빠졌던 감정만큼

우린 자유로워질 수 있어


So cut me off 이제 날 지워 봐

넌 할 수 있어

자 힘내 One more time

So cut me off 그리곤 돌아가

잘라내도 우린 괜찮을 거야

So cut me off

cut me off

cut me off

I’m sick and tired of your love

cut me off

So cut me off

자 힘내 One more time

그렇게 우린 더 나아질 거야

So cut me off


Just cut me off 


7. Got Me Good

작사 제이큐(JQ), 박지희(makeumine works) 작곡 Moonshine, Matilda Gratte, Linnéa Norlén 편곡 Moonshine


예고 없이 시작되는

Never-ending game

끔찍한 그 덫에 걸려

상처가 깊어질수록 만족하겠지

조금씩 날 조여오지 Oh na na


그곳은 정글

나를 향한 날 선 시선들

And there you have it


You got me yea

you got you got me good

나의 온몸을 얼룩지게 해

삐뚤어져 버린 네 맘이 네 말이

애석해 Look what you did

You got me yea

you got you got me good


이유란 건 없어

You’re scanning the room for a prey

그게 누가 되든지 Who cares

too bad too bad

I see what you’re doing

더 이상 재미없어

언젠가 닿을 끝은

Dead end farewell farewell


그곳은 정글

나를 향한 날 선 시선들

And there you have it


You got me yea

you got you got me good

나의 온몸을 얼룩지게 해

삐뚤어져 버린 네 맘이 네 말이

애석해 Look what you did

You got me yea

you got you got me good


Now 바람 타고 날아

자유롭게 더 높이

더 단단해져


내 안에 나는 반짝여

Like a diamond

별처럼 하얗게 눈부시게

환하게 빛날 테니까

Yea I feel so good


You got me yea

you got you got me good

이젠 웃으며 넘어가게 돼

바뀌지 않을 너의 맘이 네 말이

애석해 look what you did

You got me yea

you got you got me good


Something tells me it ain’t over

ain’t over yet

Something tells me it ain’t over

ain’t over yet

Something tells me it ain’t over

ain’t over yet

Something tells me it ain’t


Cuz boy you got me good

You got you got me good


8. Honey & Diamonds

작사 조윤경 작곡 OKAY! KENJI, Maxx Song, Krysta Youngs, Julia Ross 편곡 OKAY! KENJI


Honey Honey Honey & Diamonds

Honey Honey Honey & Diamonds

Honey Honey Honey & Diamonds


완벽히 피어난 Flower

향기를 흠뻑 날리고

바람이 이끄는 대로

자유롭게 춤을 추고

난 아름다워


타는 태양빛 때론 소나기

기나긴 시간 참아내고 빛나

이대로 더할 나위 없이

완벽히 만개한 Flower

뜨거웠던 열정을 비춰

꺾이지 않을 거야 Baby


쉴 새 없이 새롭게 빛나 빛나

시간이 지날수록 선명히 Alive


남김없이 내어 줄

맘을 가득히 준비해 둘 거야

Tonight

꽃잎 틈새 뿌려 둔

보석처럼 네 눈빛에 번져 가

Tonight

우릴 기다리는 걸

스며들어 Honey

어느새 점점 멀리

퍼져가는 Honey

잠들었던 너의 맘을 깨워 줄

그런 향기로 네게 난 다가가

Tonight

빠져들어 내게 더


Honey Honey Honey & Diamonds

Honey Honey Honey & Diamonds

Honey Honey Honey & Diamonds


잘 봐 너와 날

이끄는 저 깊은 미로 같은 밤

I want your dream in my dream

잊혀졌던 꿈까지 달콤하게 섞인

한 걸음씩 홀린 듯이 이끌릴 테니


어디까지 빛날지 몰라 몰라

새벽을 가로질러 떠오를 Our love


남김없이 내어 줄

맘을 가득히 준비해 둘 거야

Tonight

꽃잎 틈새 뿌려 둔

보석처럼 네 눈빛에 번져 가

Tonight

우릴 기다리는 걸

스며들어 Honey

어느새 점점 멀리

퍼져가는 Honey

잠들었던 너의 맘을 깨워 줄

그런 향기로 네게 난 다가가

Tonight

빠져들어 내게 더


이 황홀한 빛을 따라

지금 Come to me

커져가 네 눈 속에 번진 Fantasy


향기롭게 내어 줄

꿀을 가득히 준비해 둘 거야

Tonight

닫혀있던 꽃망울

활짝 터지는 느낌에 빠져가

Tonight

우릴 기다리는 걸


투명한 My honey

비춰줘 넌 넌 오직

보석이 된 Honey

머리부터 발끝까지 드리운

모습 그대로 우릴 기다리는

Tonight

Baby you can take me home

9. Start Over

작사 이스란 작곡 Riley Biederer, Mick Coogan, Rosi Golan, Marcus Andersson 편곡 Marcus Andersson


Start over start over

You’re gonna want me

when I get over get over

You’re gonna love me


깊이 닿지 못해 나도 알지 못했던

스치듯 지나 엇갈렸던 그 시선

아쉬움으로 날 맴돌아

다시 한번 너와 마주하고 싶어져


괜히 일부러 관심 없는 척

아무 감정도 내겐 없는 척

더 이상은 숨길 수 없는 걸


네게 비친 날 바라보면서

아껴왔던 말하고 싶었어

궁금해 첨인 것처럼


왠지 맘이 왈칵 쏟아지려 해

낯설기만 한 감정에 이율 모른 채

차오르는 눈물 벅차오르는 숨

외로움을 잊어버린 나였을지도


You’re gonna love me

Let me start over start over

You’re gonna want me

when I get over get over

You’re gonna love me


나완 다른 결의 색을 가진 눈빛에

한순간조차 눈을 뗄 수 없게 해

내게 속삭인 So sweet 한 말

다시 너를 따라 물들어 가고 싶어


자꾸 맘이 왈칵 쏟아지려 해

부드러운 네 손길에 나를 맡긴 채

잦아드는 눈물 제 자릴 찾는 숨

네가 오길 기다렸던 나였을지도


You’re gonna love me

Let me start over start over

You’re gonna want me

when I get over get over

You’re gonna love me

Let me start over start over

You’re gonna want me

when I get over get over


다시 새로 시작하려 해

닫혀있던 감정 속의 나를 지운 채

떨려오는 가슴 맞닿아 오는 숨

처음부터 널 사랑할 나였을지도


You’re gonna love me

Let me start over start over

You’re gonna want me

when I get over get over

You’re gonna love me

Let me start over start over

You’re gonna want me

when I get over get over


You’re gonna love me yeah

You’re gonna want me yeah

You’re gonna love me nana


You’re gonna want me

You’re gonna love me

10. Gravity

작사 김연서 작곡 Simon Petren, 김연서 편곡 Simon Petren, 김연서


State of mind 지나온 많은 날

지금 넌 어디쯤일까

걸어온 그 길을 돌아봐


다 그렇게 다 그렇게 다

누구나 다 그런 거라

덤덤하게 잘 견뎌 왔잖아


몰아치는 바람에

길 잃은 듯 헤맬 땐

내가 널 안아줄게 널 지켜줄게

Day after day I will run to you

저기 어딘가 끝을 알 수는 없지만

언제나 네 곁에 내가 있을게

For you like gravity


State of mind 희미한 그림자

감춰둔 작은 기억 속에 넌

따스한 꿈속을 걸었지


또 눈을 감아 눈을 감아

마음속에 떠올려봐

함께라면 웃을 수 있잖아


몰아치는 바람에

길 잃은 듯 헤맬 땐

내가 널 안아줄게 널 지켜줄게

Day after day I will run to you

저기 어딘가 끝을 알 수는 없지만

언제나 네 곁에 내가 있을게

For you like gravity


손을 잡아 Gravity gravity

널 끌어당겨 Gravity gravity

I’ll be your star

when you’re lost in the dark


혼자라는 어둠 속에

점점 깊이 무너질 때

눈을 떠 고개를 들어 봐

지금 여기

I’ll be standing right next to you


몰아치는 바람에

길 잃은 듯 헤맬 땐

내가 널 안아줄게 널 지켜줄게

Day after day I will run to you

저기 어딘가 끝을 알 수는 없지만

언제나 네 곁에 내가 있을게

For you like gravity

gravity  


11. Little Bird

작사 보아(BoA) 작곡 보아(BoA), Shaun Kim 편곡 Shaun Kim, Brian Cho


작고 여리기만 한 나는

세상이 마냥 신기하고 두려웠어

시간을 기다려 마침내 빛을 바라본

하늘은 그저 높아 보이기만 해


언젠가 오를 수 있을까

작은 날개바람 가를 수 있을까

한 걸음 떼기도 힘들어

주저앉아 울며 견딘 외로운 시간들


마침내 난 꿈을 이뤘죠

넘어진 만큼 더 높이 뛸 수 있었죠

날다 보면 가다 보면

내 세상 열릴까

이 눈물 의미를 마침내

알 수 있을까


이젠 나도 외로움이 많아요

커버린 내 몸을 가눌 힘이 없어요

세상아 날 따뜻하게 안아줘

너의 품에 태어난 걸

기억할 수 있게


언젠가 오를 수 있을까

커진 날개만큼 더 멀리 가고파

한 걸음 떼기도 힘들어

또다시 난

홀로 단단해질 수밖에 없을까


마침내 난 꿈을 이뤘죠

넘어진 만큼 더 높이 뛸 수 있었죠

날다 보면 가다 보면

내 세상 열릴까

이 눈물 의미를 마침내

알 수 있을까


Everything’s gonna be alright

Everything’s gonna be okay

Everything’s gonna be alright

Everything’s gonna be okay


마침내 난 꿈을 이뤘죠

넘어진 만큼 더 높이 뛸 수 있었죠

날다 보면 가다 보면

내 세상 열릴까

이 눈물 의미를

마침내 알 수 있을까


It will be okay


Saturday, November 7, 2020

[kanji lyrics] I believe

Words: Chica
Music: Christoffer Semelius , Magnus Funemyr , Caroline Gustavsson

広がる景色 見慣れたワンシーン
続いてく
時は流れ 歳重ね
色づくはずのLife
不変的ヒストリー
疑いもせず
止まったままの針
見つめて


鏡の中 映し出してく
偽りの世界
信じてたものがひとつまた崩れてく
でも胸に覚えたこの愛は奪えない
真実がここに無くても
きっと待つ未来 I believe
I believe… I believe…

小鳥の声も 花の唄も
聞こえるよ
陽が昇れば 伸びる影も
そこにあるのに
全てがフェイクでロンリー
虚しさ覚え
零れ落ちる涙
見つめて

宇宙(そら) に浮かぶ 何処か彼方の
星に生まれて
知らされた真実が胸を締め付ける
でもいつか この痛みは そう 愛なんだと
受け入れて 立ち向かうから
陽はまた昇る I believe… I believe…

風に乗り時空超えて
身体で感じるパワー
ただ前に 進みたい
You and me
鏡の中 映し出してく
偽りの世界
信じてたものがひとつまた崩れてく
でも胸に覚えたこの愛は奪えない
真実がここに無くても
きっと待つ未来 I believe
I believe… I believe…

Sunday, November 1, 2020

[hangul lyrics] Little Bird

 작고 여리기만 한 나는

세상이 마냥 신기하고 두려웠어

시간을 기다려 마침내 빛을 바라본

하늘은 그저 높아 보이기만 해


언젠가 오를 수 있을까

작은 날개 바람 가를 수 있을까

한 걸음 떼기도 힘들어

주저앉아 울며 견딘 외로운 시간들


마침내 난 꿈을 이뤘죠

넘어진 만큼 더 높이 뛸 수 있었죠

날다 보면 가다 보면 내 세상 열릴까

이 눈물 의미를 마침내 알 수 있을까


이젠 나도 외로움이 많아요

커버린 내 몸을 가눌 힘이 없어요

세상아 날 따뜻하게 안아줘

너의 품에 태어난 걸 기억할 수 있게


언젠가 오를 수 있을까

커진 날개만큼 더 멀리 가고파

한 걸음 떼기도 힘들어

또다시 난 홀로 단단해질 수 밖에 없을까


마침내 난 꿈을 이뤘죠

넘어진 만큼 더 높이 뛸 수 있었죠

날다 보면 가다 보면 내 세상 열릴까

이 눈물 의미를 마침내 알 수 있을까


Everything’s gonna be alright

Everything’s gonna be ok

Everything’s gonna be alright

Everything’s gonna be ok


마침내 난 꿈을 이뤘죠

넘어진 만큼 더 높이 뛸 수 있었죠

날다 보면 가다 보면 내 세상 열릴까

이 눈물 의미를 마침내 알 수 있을까


It will be ok